Students from Shawnee State University will present a completely student-run production of “A Dream Play” at 7 p.m. Friday (Jan. 19) and Saturday (Jan. 20). The show will be held in the Kahl Studio Theater at the Vern Riffe Center for the Arts and is free to the public. Donations are encouraged and will be given to Alpha Psi Omega National Theatre Honor Society to provide funding for future student-led shows and productions. 

“We welcome anyone to the show,” said Savanna Nell, the show’s director. “It will be different, and you will leave thinking.”

According to Nell, the play is “nonsensical, absurd and unreal. It is a philosophical conversation centered around the morality of being human … a study of humanity through an astrological lens.”

The play was written in 1902 by August Strindberg and is known for its artistic exploration of dreams as its characters flow through a questionable reality. The show centers around the “child of Indra” as she goes to Earth to experience human life, often facing causes of human suffering, such as the physical struggle of poverty or the internal warring of various ideologies. Each scene is constructed to feel like a dream, some allowing the characters to discuss lofty ideas regarding existence and others quickly becoming loud, frightening nightmares reflecting the horrors of reality that no one can escape, even when sleeping.

Nell said that she first learned of this play during a presentation on “theatre of the absurd” during the 2023 spring semester. As a self-described philosophical absurdist, Nell was immediately drawn to the play when she discovered the script.

“The way August Strindberg … transitions from scene to scene is dreamlike,” she said, describing the aesthetic of the production. The show recently came into the public domain, which allowed Nell and her crew to make adjustments to the performance to best fit their vision.

Changes to the script have been minimal, with the most extensive revisions consisting of scenes being cut for their excessive length. Otherwise, the alterations have been stylistic. For example, the lead role is traditionally referred to as “The Daughter,” though the production team at SSU felt that “the character had no particular connection to the concept of gender” and renamed the role “The Child,” according to the director.

Nell is also an avid “space-lover,” so many scenes in the show are performed on different planets based on the themes explored within said scenes. For example, a scene centered on “higher learning and philosophy” occurs on Jupiter, as those concepts are often associated with the planet in astrology. Considering the artistic and experimental nature of this play, the black box theater allows for the set to create the “floating in the void” feeling that Nell is aiming for. 

The student-run production is an outcome of the SSU Musical Theatre Program’s efforts to provide students a well-rounded education both on and off the stage. Nell and most members of the cast and crew are frequent performers in SSU productions, including recent shows “Cabaret” and “Trafford Tanzi.”

Though she loves performing, Nell said she is excited to direct a show, as she can “be the creative behind the show instead of the clay.” Other members of the crew are also exploring the technical side of stage productions. Jarod Emerson, the set designer, also plays the role of “The Poet” in the show. Madeline Sherck fills multiple roles as the stage manager, audio designer and lighting designer. Nell, while acting as director, has also composed the musical pieces that will be used throughout the show. 

As with any creative presentation, the cast and crew of “A Dream Play” have experienced their fair share of struggles throughout production of the show. Nell explained that some actors were not meeting the standard of professionalism required in theater, which led to a recasting of the lead role a few weeks before opening night. Many cast members were transitioning into different roles, though replacements were still necessary and difficult to find.

Nell said that trust was what saved the production, with “creative, diligent friends” stepping into extensive roles in support of the show despite the obvious time crunch. She expressed particular gratitude to Rachel Barrick and Samson Strong for taking on lead roles two weeks before opening night, as well as Madeline Sherck for her “incredible” capabilities in her various roles as a crew member.

Considering all of the obstacles the group overcame together, Nell wanted to share some highlights of how production has gone. She said that the show’s first full run with lights was the moment that “it all just came together in front of us,” and she expressed pride in how efficiently the actors developed a performance that will appeal to a modern audience.

“I am so proud of the fact that we … have created something weird, interesting, and unique,” she said. “I feel that it’s difficult to find weird art like this in this area, and hope that we can continue making weird art in the future.”